Robert Browning only began to attain popular success when he was in his 50s.
Robert Browning (1812-1889)
In the s, he published Dramatis Personae , which had both a first and second edition. In , he published the volume The Ring and the Book , which some critics believe to be his greatest work, and which earned the poet popularity for the first time. Robert Browning secured his place as a prominent poet with dramatic monologue, the form he mastered and for which he became known and influential.
In dramatic monologue, a character speaks to a listener from his or her subjective point of view. In doing so, the character often reveals insights about him or herself, often more than intended. In his more advanced years, Browning became widely respected: the Victorian public appreciated the hopeful tone of his poems.
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Browning continued publishing poetry, with his final work, Asolando , published on the day he died. We strive for accuracy and fairness. If you see something that doesn't look right, contact us!
Sign up for the Biography newsletters to receive stories daily and weekly about the people who shaped our world and the stories that shaped their lives. Poet Robert Burns is considered one of the most famous characters of Scotland's cultural history. Perhaps this lack of success has proven a boon to Browning's legacy, however, since it allowed him to continue to follow his own eccentricities without the pressure of having to subscribe to popular taste, thereby creating work now appreciated for its uniqueness.
Browning is perhaps most famous for his use of the dramatic monologue, a poem written from the point of view of someone who has dramatic imperative to argue for him or herself. This form fits Browning's interests perfectly, since it allows him to empathize with perspectives he likely did not hold himself, thereby considering myriad human perspectives, and to investigate the remarkable human facility for rationalizing our behaviors and beliefs.
Much of his poetry, however, has a deliberately philosophical edge.
Again, Browning believed that humans are constantly changing, their attitudes subject to shifts day-by-day or hour-by-hour. However, by using the dramatic monologue, he was able to explore a philosophy in the moment, and some of his work, like "Death in the Desert" or " Rabbi Ben Ezra ," is as much defined by a statement of belief as by any dramatic situation.
Even some of the more dramatic poems are difficult to comprehend if the reader is not ready to engage in questions of existence, time, memory, or love. Despite his pronounced interest in psychology, Browning's early influence came from the Romantic poets, particularly Shelley.
Works And Influences of Robert Browning essays
Cleverly juxtaposing Porphyria's innocent Poetry can often be described as "painting with words. In the lyric poem With "Porphyria's Lover" and "Soliloquy of the Spanish Cloister," Browning provides two dramatic monologues of madmen in which the narrator's sheer ignorance of his own insanity is a basic premise integral to the work.
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Throughout both these poems, The dramatic monologue form used by both Robert Browning and Matthew Arnold in their poems My Last Duchess and The Forsaken Merman, respectively, serves to comment upon the condition of a woman without physically introducing a female into the The idea of desire is represented in several different forms in the poetry of Robert Browning. Certain poems communicate a selfless brand of desire expressed by the speaker, particularly directed towards a lover.
Other poems, often directed toward Robert Browning wrote his poetry during the British Industrial Revolution, a tumultuous time in which society was going through major cultural and lifestyle changes.